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New Year Looms, 2017

Following a pattern established by Meg over at Unraveling, even though she’s apparently not playing the game this year, I took shots of my looms as they stood on New Year’s Day, 2017. In no particular order….

This is a shot of the treadles of my Macomber. I like this angle, even the fact that you can see some lint in the slot of the treadles. There’s no warp on this loom at the moment, although I have three orders that will be woven on it over the next few weeks.

Macomber's treadles

Next is my rigid heddle loom. This little loom is currently both happy and sad. All that lint in the heddle is a reminder that it had a project on it not that long ago…it wove a lovely alpaca houndstooth scarf that sold very quickly in my Etsy store. You can also see the ends of some wood sticking out underneath it. I bought the pieces needed to add a second heddle to the loom, which will make it even more versatile than it already is. It’s happy about those two things, even though it spends most of its life on a top shelf in the weaving studio.

rigid heddle loom, 1-1-17

My sweet little counterbalance loom is currently acting as a catch-all. 🙁 A towel, bobbins, a book, yarn, samples, all just resting on her. A warp is not currently in the planning for her, either.

counterbalance loom, 1-1-17

Even sadder is the Missouri, stored in the attic. It did make it down for the supplemental warp workshop, but spends 98% of its time alone in the dark and either freezing or roasting under the eaves.

Missourit loom, 1-1-17

So why oh why is there a newcomer? Who the heck is this and why is it here?

threading the dorset loom

Well, at the supplemental warp workshop I got a chance to weave on someone else’s Dorset loom. I really liked it. It’s a 4 shaft, direct tie up, folds for transport, well made, decent length from front-to-back beam makes for a decent shed. Well respected little loom, made by FC Wood in Waterford, NY. Hasn’t been made in decades. Not a ton of them around. Several other loom manufacturers have copied the design either directly or some with modifications. I decided I wanted to see if I could find a Dorset loom to buy, and if I could, I’d sell both the counterbalance and the Missouri.

I was lucky enough to find one within the Rochester Weaver’s Guild! I snapped it up, and have put a towel warp on it to make sure I like weaving on it before I sell the other two looms. Actually the above photo was taken a few days ago, when I was threading the loom. It’s not the most comfortable loom to thread, so I put it up on bed risers to make it a little easier. That made me cautious and hesitant about my purchase. But once I had it set up, wow. Weaving is a dream. And this spoken by someone who’s never had a direct tie up loom before and didn’t like working on one.

For you non-weavers, direct tie up means that there are only 4 treadles, one for each shaft, and each treadle can only be tied to one shaft. So when you’re weaving, you most often need to use two feet at the same time. Just to weave plain weave you’re lifting 2 shafts at once. I wasn’t sure I’d really like it, but I do. It is remarkably easy to treadle, and since there is no changing of the tie up, there’s one less step to set up for each pattern. I can change the weave pattern mid-stream if the spirit moves me. On my other floor looms changing the weave pattern often necessitates crawling under the loom and changing how the treadles are tied to the shafts.

So yes, I will be posting my counterbalance and Missouri looms for sale. They’ll both be very affordable, and I’m hoping that a relatively new weaver will jump on them. That would make me really happy. Especially for the counterbalance. She’s been a sweet loom and deserves continued attention and use. Know anyone who might be interested?

Jack needs help

He needs your help. I don’t know how to help him.

Jack's snowballs-1

He’s the third dog that I’ve owned that with this issue and I haven’t known how to help any of them. I’ve tried a few strategies, none successful, so I’m turning to you. Have you had an animal with similar problems? If so, have you figured out how to either prevent or solve it?

Jack's snowballs-2

Have you seen the problem in the first two photos? If not, the third is totally clear. When the snow is wet and heavy, the kind of snow that would make good snowballs or snowmen, Jack’s feet make snowballs as he walks, eventually growing big enough to pull on his hair.

Jack's snowballs-3

These snowballs gather and get bigger as he walks. I find it curious that the snowballs aren’t gathering on his back feet; on my previous dogs the problem was with all 4 feet.

I’ve tried boots, which he definitely dislikes. Plus since his legs are so thick, it’s almost impossible to get them tight enough that he doesn’t lose them. On previous dogs I’ve tried lifting them into the sink or tub and using warm water to quickly melt off the snow. None of us liked that. I’ve tried keeping the hair on the legs really short. Not a good plan in the winter either, especially with someone like Jack who gets cold rather easily.

So readers, what are your suggestions to help this little guy?

Christmas Eve 2016

date nut bread

It’s Christmas Eve. I’ve baked my grandma Troiano’s date nut bread and grandma Cherre’s pizzelles, chocolate-peanut-butter balls (some call them buckeyes), my sister’s most excellent recipe for ginger cookies that include lots of freshly grated orange peel, and some cinnamon biscotti. The first three are major traditions in my family.

making pizelles

I’m still knitting a present, and can’t yet show you any of the finished things, but I can show you my wonderful hat.

Sometime this summer I took a felting class at the Weaving and Fiber Arts Center. Trust me when I tell you that I’d never felted before, and that I still don’t really understand the process – it seems like magic to me.

I started with dyed wool roving. Or maybe it’s correctly called top. In any case, here’s how it looks.

periwinkle roving

It’s not yarn, it’s not fabric, it’s fiber. You pull it out in really thin strands, lay it on top of a plastic template called a release, wave your hands over it, turn around three times, say the magic words, and it ultimately turns into a solid fabric. For this class that fabric was shaped over a hat form, where it dried. Can you see the fine little silk threads a felting neighbor gave me to put in with the wool for a bit of interest?

I took the hat home and had to add an embellishment and do a blanket stitch along the edge for stabilization. I didn’t want to do the edge stitching until I’d decided on the embellishment because I wanted them to coordinate. It took me months to figure out what I wanted that embellishment to be.

Finally I did – a crocheted ‘flower’ of sorts, with a beaded center. If something else strikes me in the future I can easily take this off and replace it. For that reason I decided I wanted the blanket stitching to be almost invisible.

I am very happy with my wool hat!

my wool hat

Wanna (w)rap?

I have an order for a baby wrap, first in a long time. Mom has worked with me to design the wrap of her dreams.

KO open sister wrap

We’re now looking for the mom or dad who wants a semi-custom – the sister of this lovely wrap. That family will choose their own weft color, and can opt for a different weave pattern as well. This would make a DYNAMITE Christmas gift for the young mom in your life!

Contact me with your interest and I’ll get you all the details.

New adventures

shawls for the Copper Shop

Helen Keller is quoted as saying that life is either a grand adventure or nothing. I don’t know exactly how I feel about that sentiment, but I do know that I’ve certainly had my share of adventures in the last decade, especially in the last few years.

My latest adventure is placing some of my weaving in high-end retail locations. I’m starting with the one that makes the most sense given my status as a Roycroft Renaissance Artisan – the Copper Shop Gallery on the Roycroft Campus.

It’s taken time for me to wrap my thinking around retail outlets. They need to cover all their costs for a brick and mortar store, and still I need to get paid reasonably for my time designing and weaving. I had an “ah ha” moment sometime this fall, when I realized that if I applied a percentage the cost of jury fees, booth fees, van rental, meals, etc. to the items I sold at shows, to say nothing of my time in setting up, tearing down, and staffing the booth, that the commission that retail outlets take made sense. Then I felt like I had to make it through the remaining shows I had.

I have an appointment Friday morning with the manager of the Copper Shop. That caused me to once again look at my tags. I’ve hated them for a long time and am in the process of working with a printer to devise an alternative. But in the meantime, my tags for a retail outlet needed to do double duty. They had to both give the important information about the fabric and identify my business so customers could find me for future purchases.

business card, front of tag

I’d spent some time looking at the tags of other weavers at both the Weaver’s Guild’s Holiday Sale and the Roycroft Winter Show, and decided that for now I’d adopt a common strategy; I’d hand write the information on the back of a business card and hang it from the piece. Hanging doesn’t work if the fabric will be folded or rolled and placed in a storage bin for moving, but it does if there are a limited number of items that will be transported on hangers and then displayed.

fabric info, back of tag

I spent hours choosing what pieces I would bring, pressing each piece to remove wrinkles, re-tagging them, and creating an Excel spreadsheet so I’d know what I was bringing and what I anticipated for sale price of each item. I’m bringing 8 shawls in various fibers, 8 silk scarves, and 12 scarves in assorted fibers. I’ve probably overdone it, but that’s how I am. That’s how well most of a day gets eaten up.

Amidst continuing to make Christmas presents that I can’t yet show you, I’ve also done some weaving, mostly of those towels from the last post. I got 7 towels out of the warp, although the last one, with a test fiber, is short.

7 towels off the loom

After this shot I machine and hand hemmed, inspected and fixed some weaving errors, washed and dried, and hard pressed. Here they all are in their finished state.

7 finished towels

The top three are for my daughter to give as gifts. Burgundy, celery, purple, and red (for my inventory) all have the same treadling pattern. I hadn’t intended to do this, but liked how it worked so went for it.

treadling pattern for 4 towels

After weaving those four, in an effort to continue to use up the stash, I decided to use a cool variegation of earth tones in a cotton and linen blend. Even though it was much fatter than my 8/2 warp, I figured it would both look good and be thirsty.

earthy variegation

It wove up so quickly that I used a variegation of green, blue & yellow of the same fiber.

green variegation

Because of the thickness of the yarn I had to modify the treadling pattern for these two towels slightly.

treadling pattern for 2 towels

For the last towel I wanted to try out another fiber in my stash. I’m not sharing what it is here, because if I have time (what?!?!) I want to put on a short warp and weave a few of these as gifts so my family can give me some honest feedback about how they work and feel. I modified the treadling pattern for this towel.

treadling pattern for the last towel

When I got all the towels off the loom I was surprised by how much the cotton-linen warp pulled in. When I took them out of the dryer – wow! They were small and lumpy! Here’s what the earthy towel looked like on my ironing board before the hard press.
cotton-linen towel before pressing

And afterward.
cotton-linen after pressing

A very clear example of why that hard press is an essential part of finishing every piece of weaving.

Now I’m going to take Jack for his afternoon walk and then get back to my gift making. Maybe one of these days I can get to writing my Christmas cards. 🙂