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I Know You By Heart

Some songs just send their messages directly to your core, touching you deeply, every single time you hear them. Eva Cassidy singing I Know You By Heart is one of those songs for me. I stop what I’m doing and just listen, feeling the music and the words, often with tears running down my face.

If you’re on high speed, there’s nothing like hearing Eva’s sweet voice sing.

For my dialup friends, here are the lyrics.

I Know You By Heart
(Diane Scanlon/Eve Nelson)
Midnights in winter
The glowing fire
Lights up your face in orange and gold
I see your sweet smile
Shine through the darkness
Its line is etched in my memory
So I’d know you by heart

Mornings in April
Sharing our secrets
We’d walk until the morning was gone
We were like children
Laughing for hours
The joy you gave me lives on and on
’Cause I know you by heart

I still hear your voice
On warm summer nights
Whispering like the wind
Oh oh oh oh

You left in autumn
The leaves were turning
I walked down roads of orange and gold
I saw your sweet smile
I heard your laughter
You’re still here beside me every day
’Cause I know you by heart

’Cause I know you by heart

Your turn: what song reaches inside you?

Sugar Snow

It was about 6:20 Sunday morning when the rain that had been falling all night changed to snow. Big, wet flakes were falling fast. It looked like the weather prediction of 5-9″ might just happen.

Despite the fact that we’ve had LOTS of snow this winter, it was so beautiful I had to enjoy it. Besides, it was warm enough that I could enjoy a walk in it without freezing.

I was a little concerned, since I had to leave home early Monday morning to drive a friend to town, and the plow dung at the end of the driveway can hang up my little car if I’m not careful.

Ok, it’s not really being careful, it’s being brave. The secret is simply to drive. Fast & hard. Don’t think about it. Don’t worry that you can’t see around the huge snow mound at the bottom of the driveway. Trust that no one will be coming up or down the road at the exact moment you’re barreling out of the driveway. Luckily, since I live on a dirt road, this is almost always true.
snow pile
This is a snow pile at the top of my driveway. You can see how big it is – check out my ice chopper to the left – the snow pile is quite a bit higher than the 4 foot handle.

Anyway, we made it to and from town without a problem, and my plow guy was here shortly after I got back to clear my driveway. The sun was bright, the sky was clear, and my little dog and I couldn’t resist taking a walk. I grabbed my camera on the way out the door.

First I saw these great snow craters.
snow craters
As the wet snow plopped out of the trees, it dropped heavily into the ditch, creating a wintery moonscape.

The roundedness of the snow on the side of the road struck me as a very female shape.
female snow forms
I tried to capture it in a picture, but when I looked at it after I downloaded it to my computer, I get the very strong image of a hippo rising out of the water.

Then I noticed the tracks of a deer who’d visited the creek.
deer tracks by creek

When I was walking back up my driveway, I couldn’t help but notice that my spruce trees were heavy with snow on their east side, and bare on their west side. The lovely sun had completely melted the snow off one side of the tree.

But the thing I decided to shoot wasn’t a half-dressed tree. It was the sprucicles that were formed during the melting process.sprucicles

The sun that made those sprucicles was also a good thing for maple syrup producers. I’m betting today was one of the first runs of the season.

The day ended with a perfect Cheshire cat of a moon. Just the grin. I didn’t manage to capture it with my camera, only with my eyes.

While I am waiting for spring, I can still really enjoy the remnants of winter.

Fishy Scarf

I finished the light blue-medium blue shadow weave scarf, and I’m about as happy with it as I expected to be. Which isn’t much.
blue rayon scarf, shadow weave

As you can see from the photo, the light and angle has to be just right to see the pattern at all. All that work for so little benefit.

BUT, I got a really pleasant surprise on the green scarf.

First, I should mention that I was a bit surprised by how the colors turned out. On the cones, the 2 blues and the green each looked quite clear. On the loom, when the green crossed the blues, everything took on quite a yellow cast in real life, just as it did in the computer draft.

After it was wet finished, I got a big WOW!
blues & greens rayon scarf

Not only did those yellow casts fall to the background, the scarf is almost iridescent! The natural sheen of the rayon takes over, and the colors just shine endlessly as the light catches them.

This picture can’t portray it as well as as I’d like, but to me, this scarf is very reminiscent of a fish, both in color and the diamond/fish scale design. Not a brook trout, ’cause they have pinks in them, too, but some other kind of fish that hides well in the blue & green water, then shines beautifully when it’s in your net.

I had expected to feel pretty ambivalent about this scarf, but not so. I really like it.

So what did I learn? That I better try some other rayon combinations to see if I can get some other great iridescent effects!

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Shadow Weave Rayon Scarf

I’ve been wanting to try a shadow weave for some time. They always attract me in pictures. (In a shadow weave, you alternate two colors of threads in both warp and weft.)

So when I had some down time yesterday, I spent WAY more time than I thought reasonable to plan this shadow weave draft in a light and bright blue fine gauge rayon.
shadow weave draft

I really like the way it looks. So first thing in the morning I prepared the warp, dressed the loom, and threaded heddles and reed. I wound two bobbins, one with light blue and one with the medium blue. I was excited to get started.

Well, my anticipation was ill placed, my excitement squashed in about 5 minutes flat.

First of all, it takes far more than twice as long to weave with two shuttles. Throw one shuttle, set it down. Pick up the other shuttle, throw it, set it down. Repeat, repeat, repeat, repeat. And with every throw of every shuttle make sure your ends have one and only one twist in them. Sound tedious? It is. For me at least, it’s almost impossible to get into a weaving rhythm. I don’t remember having this same problem when I did the log cabin weaves. I’m guessing that part of it was the fact that the rayon is so much finer than the bamboo I used for the log cabin, but still, the rhythm shouldn’t have been much different.

Then there’s the fact that it is impossible to see the pattern from the top.
shadow weave from the top

If you look at it at an angle, it’s quite easy to see the pattern of interlocking diamonds.
shadow weave from the side

Obviously, I can’t lean completely to one side while I’m weaving. Nor can I throw a shuttle, lean to the left, sit up straight, throw a shuttle, lean, sit up, throw a shuttle, lean, sit up.

However, if I can’t see the pattern while I’m weaving, the odds are that I’ll make a mistake that will be really obvious when it’s too late to fix it.

I can see the pattern while I’m sitting up straight and weaving as long as I have the light shining away from the loom. It needs to be fairly dark. Making it possible to see the pattern is good, but it has to be dark enough that I can’t see the threads themselves. So if I accidently miss a thread with the shuttle, I can’t know till after I’ve thrown the shuttle and beat it in.

I’m really glad I made this warp for only two scarves! And still, I assure you that after the first scarf, I won’t make the second a shadow weave.

I went back to my software to see what the design would look like if I used a contrasting single color for the weft.
shadow weave with green weft
It’s not my favorite thing, but I think I’ll like it fine, and it’ll be MUCH quicker to weave.

Live and learn. I do wish I spent a bit less time learning what NOT to do. 🙂
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Semi-Successful Supplementary Warp Beam

I don’t know why I always want to do something hard. Isn’t easy good enough?

Apparently not.

I had woven two of these beautiful hand painted rayon chenille scarves (top and right). They’re lovely, with the warp being a colorway Tammy calls Visionary – a blend of purples and dark green. I used a solid purple for the weft.
handwoven rayon chenille scarves in Visionary & green
I wanted to weave the third one using a light green weft, thinking it’d be nice to have something a bit different.

That would have been really easy, if I hadn’t also wanted to add a thin strip of that light green along each edge of the scarf.

I’ve tried adding such strips to an existing warp before.

I’ve simply hung and weighted the added warp – pretty unsuccessful. Way too hard to get good, even tension on it. Ended up with wavy selvedges.

I’ve tried cutting off the scarves that were finished, pulling the remaining warp forward through heddles & reed, tying the new ends on the back beam, and rewinding. Still not good for me…the thread that had been on there were already a bit stretched, so the new threads ended up at a different tension before many inches of weaving anyway.

So I thought I’d try another strategy.

Make pretend I had a second warp beam by using my rigid heddle loom. Here’s a shot from the top…
rigid heddle loom as a supplementary warp beam, top view
And the side…
rigid heddle loom as a supplementary warp beam, side view

With my rigid heddle loom on a TV tray, it was almost exactly the right height. And the RH loom would apply sufficient tension, plus it had its own brake, so I could adjust the green warp threads as we moved forward.

I have to say that for me, it did work better than the other two methods. But it wasn’t ideal. When I needed to advance the yarn, it wasn’t necessarily easy to adjust the two brakes to provide the same tension.

Far worse, every time I beat the weft in, the TV tray and RH loom banged on the back beam of my counterbalance loom. I tried removing the TV tray and hanging the RH loom over the back beam; that didn’t work — the balance was completely off.

I tried tying the front beam of the RH to the back beam of the counterbalance. That was less successful – no way could I get it tied tightly enough. I thought about using clamps instead, but I don’t have the kind of clamps that could have done that.

So I learned another strategy that wasn’t great. I still don’t have one that is. Maybe when my clever son moves back to the region next month I’ll have him look at it and see if he can fashion a sometimes-used supplementary warp beam for me that I will like. (I can imagine that I might hate what it would do to my beloved little loom.)

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