Archives

I’m loving it!

I had a bit of tie-up issue at the beginning and had to take out about an inch of weaving and restart, but I am loving this warp!

amethyst to iris end

amethyst to iris side of the shawl

So much so that I wish I could have warped for four shawls, not just the two I’ve already sold. 😉 I would have used a few different wefts just so that they’d not be identical, but the colors look terrific together.

hunter to blueberry end

hunter to blueberry side of the shawl

Maybe I’ll have to do another similar warp. After I get the other custom order woven. And some warps painted, beamed, and woven for the professional photographs I need to have taken for this year’s jury photos. Where does the time go?

Amethyst to Emerald

Although I’m still doing some off-loom work on those baby wraps, I decided my brain needed me to wind the warp for my next order. This started with an order for one rayon chenille shawl, but I have subsequently added an order for the second one on this warp. I’ve learned through experience that when I’m working with rayon chenille, I’m happiest when I warp for only two shawls at a time; with three my brain and my back get too distressed.

This is the line up of yarns I’d started with, and what both customers saw, although this shot has better lighting.

line up with aquamarine

As I got to planning the exact layout, no matter what I did that aquamarine, the brightest color, 4th from the left in the line up, stood out like a sore thumb. All off, not good. I tried it in different locations in the line up, didn’t matter. Just wrong.

I laid out the yarns without that color to see if I liked it.

yarn line up without aquamarine

Yep. Makes me much happier. It is all a bit darker than I’d generally choose, so I figured I’d wind the warp with those colors, and then as I was threading, if I thought I needed a bit of lightness, I’d hang a thread or two of the aquamarine from the back beam and just substitute on the spot.

I wound bout one – amethyst to iris gradient with a touch of navy thrown in for even more depth. Isn’t that amethyst just wonderful?!

amethyst to iris wound

Then solid iris, still with a bit of navy, to a gradient with iris combo, to solid iris combo. Iris combo is a space-dyed variegation that is no longer available.

iris to iris combo

Bout three is iris combo gradient to blueberry. Ahhh. I like this. In fact I wound some extra threads of blueberry and will decrease some of the iris combo. At least that’s what I think right now.

iris combo to blueberry wound

Last but not least, blueberry gradient to hunter. Nice look.

blueberry gradient to hunter wound

I am appreciative of the fact that both of my customers trust my taste and my eye to choose the colors and layout well. I’m looking forward to beaming and threading this warp, but that won’t happen today. I’m going to go hopefully to finalize the grant submission for the Weaving and Fiber Arts Center, and then do the remainder of the off-loom work on the baby wraps.

80 inches of snow

Unlike people in other parts of the country, the 80″ of snow I saw today were only in my weaving studio. 🙂

80 inches of snow weaving

I finished weaving the last few inches of KY’s wrap this morning. Then I had to change the tie up and weaving pattern. I have a touchy left knee, and I’d strained it trying to add Zumba to my life. (I really do need to lose some weight, plus the few pounds I added during the holidays.) Zumba and my knee did not get along well. And then more than 240″ of weaving hearts, with my left knee simultaneously stretching and pressing down, did not help the healing.

Since I don’t have a taker for the sister wrap, it was the ideal time for me to create a new pattern. This only takes 8 treadles, and lifts a smaller number than hearts, plus I arranged the tie up so I only work 3 treadles with my left foot instead of 5 for hearts. My knee is so much happier!

So I wove 80″ of snowflakes today. I have obligations out of the house tomorrow so won’t get this finished till Thursday, but I’m confident it will proceed well, without me needing to take anywhere near as many knee breaks.

False starts

Moving forward on KY’s custom baby wrap, I got bout 4 wound. Not 4 colors like I’d said in my last post, but 3: chambray, bleu cobalt and bleu moyen.

KY's warp, bout 4

Next step is to get it on the loom. I always do this under tension, using my version of a warping valet. (Unending thanks to Laura Fry for this…makes my life so much easier.)

beaming KY's warp

As always, one of my favorite shots is the warp as it’s being wound on the back beam.

winding on the back beam

Then I threaded 758 threads through the heddles and the reed, securing them with a slip knot as I work across the width of the piece.
threaded through heddles and reed

After that I have to check for tension issues, and to make sure I don’t have any threads crossed in the reed. The slats from an old Venetian blind work for this purpose and make a nice, hard surface for the weft. It all looks good.

spacers and tension test

So I wind bobbins and start weaving. Somehow I manage to get several motifs woven before I notice the problem.

threading error identified

I have missed threads, shaft 4 on both the way up and the way down the threading V. Nothing to do but take out what I’ve done and fix the error. I decided to cut the weft threads in roughly the middle and remove them in pieces. Here I’ve removed the threads on the right side of the loom.

weft removed on the right side

And here’s what the process looks like mid-stream on the left side.

removing weft on the left

Then I made 2 string heddles for shaft 4, hung new threads for those 2 spots. Next I had to remove the threads from the reed from the error all the way to the selvedge, re-threading the reed. If I didn’t do that I would have had a spot where the threads were too close together and it wouldn’t have felt or looked right.

next step in the repair

Finally I got the threads all tied onto the apron rod again. And now I needed to walk away for a while, giving both my brain and my body a rest.

warp tied back on

This morning I spread the warp with scrap threads, treadling in order, instead of using those spacers from the blind, as they couldn’t tell me if there were other threading errors. It looked okay, although it was hard to see with the pale and changing colors. So I again started weaving with KY’s black tencel.

Poop!!! Another error!! This time in tie up. A hook had popped off one of my treadles. Can you see the difference? Look closely at the first and second rows of black hearts. The first row has the error. Thankfully I spotted it quickly and fixed it easily.

tie up error

I’m finally on my way! I got about 45″ woven today.

finally on my way

Not much, considering it’s taken me many days to get to this point. And after I weave off the 15 yards of this warp and do all the inspecting and other off-loom work, I have 2 other custom weaving jobs waiting, one for a shawl, the other for a scarf. The Weaving Center has been taking up lots of my time. I think that should slow down dramatically soon, but probably not till February 1.

Round and round we go

KY bout 1

I just finished the last of my Christmas gifts this morning. Whew! I’ll be sharing them on Sunday, so can do a post with my gift handiwork next week.

So yesterday afternoon I took a break and wound bout 1 of KY’s custom baby wrap. Honestly, my body was not used to how many times I have to go around for these really long warps. This one is 15 yards long. From top to bottom the colors are black, charcoal and dark gray. Mom chose for me to use a combination of my usual Maurice Brassard cottons and Egyptian cotton.

Today I wound bouts 2 and 3.

KY bout 2

Bout 2 finishes the dark gray then goes to light gray. Interesting how proximity and the lighting makes the bottom of bout 1 look completely different than the top of bout 2, isn’t it? But they are identical it’s the same yarn.

KY bout 3

Bout 3 is solid white. My back is done with this activity for the day, but I’m looking forward to bout 4, which as 4 colors of blue in it.

I’ve also been going round and round elsewhere in my life. You know that saying that no good deed goes unpunished? Here I am. 😉

Back in November I wrote a small grant application for a project for the Weaving & Fiber Arts Center. I just learned on Monday that we were funding for my full request (which was just over $1,000). So now it’s implementation time. As the (volunteer) General Coordinator of this (volunteer-run) organization, guess who gets to do that? 🙂

The project is to deliver hands-on fiber arts activities to high school and college students in 3 different programs. The first program is scheduled for November, during a school break, so I had to immediately spend a bunch of time online gathering email addresses for high school and college art teachers, then send them individualized emails. But before I could do that I had to learn the Weaving Center’s online registration software so I could write a clear description and put it up online. Essential for me to be able to share this info with the teachers.

Since the class is limited to a maximum of 12 students, I opted to email only the high schools that are geographically closest, or that we already have a (limited) relationship with. Still, that was 28 emails. Even with copy & paste, it’s all time consuming.

And now I’ve committed to writing another small grant, for a one-shot project to coordinate a weaving program scheduled for July with the local Bhutanese community. Ay yi yi.