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Fancy Feet

I often wear Crocs around the house – their classic, cloggy-looking style. As I was placing an order for a new pair my eyes were caught by their new huarache style and I decided I needed a pair of these, too.
crocs huarache

Aren’t they cute?

I wore them one day & realized it’s been a long time since I wore open-toed shoes. They didn’t look good without painted toenails. So for the first time in well over a decade I painted my toes. (In fact, the only reason I had nail polish in my cupboard was because I bought a few colors to paint the bottom harness bars on my Mac to give me a visual aid in threading.)

While I have less than lovely feet, I think they’re okay in these sandals.

sandal with painted toenails

Now when I glance down at my feet while I’m weaving, I’m surprised every time by the fancy feet that are dancing across the treadles.

On a completely unrelated note, I just watched and AMAZING video of Janet Echelman. I don’t remember where I read about this – was it on a blog I read? In a magazine? If I could remember I’d happily give credit where credit is due. Anyway, Janet’s building-sized fiber sculptures blew me away with their beauty and creativity. Check it out!

Everything’s Fine….or not

2 handwoven silk scarves on rack
Let’s start with the good news. I ordered and received some really lovely 60/2 silk. Like wire (I learned this when I was making jewelry), the higher the number the thinner the thread, so 60/2 is really fine. For comparison purposes, most of the rayon that I work with is 8/2 and has about 3,300 yards of thread/yarn per pound. The 60/2 silk has just under 14,000 yards of thread per pound. That’s not a typo. 14,000.

That meant that in order to make a stable fabric, instead of my usual 160-200 threads for a scarf, I had to use 520 threads. I sett the thread at 60 ends per inch, unlike the 18-21 I usually use.

You’re getting the idea about how thin this is, right? And how much more time it takes to wind the warp, thread the loom, and weave?

Then, when I went to weave, I had to take three times longer than usual to weave a bobbin. That’s because my weft thread was finer still, with at least 18,000 yards per pound. I had to wind thread from my cone onto bobbin 1. Then wind from the cone onto bobbin 2. Then put those two bobbins into shuttles and wind two strands at once onto bobbin 3. Trial & error – unfortunately – showed me that if I wound my final bobbin with 1 strand from the cone and 1 strand from a bobbin, the tension between those two threads was different enough that it make for sloppy selvedges when weaving. By having two bobbins – each wound with the same tension and each in a boat shuttle to maintain the same tension – to wind the third/final bobbin was definitely the way to go. (I was using the tram silk I bought at MAFA 2 years ago as weft. You may recall my earlier attempt at using it. I also attempted to get a local spinner to spin 2 strands into 1 thicker strand – no go.)

Ok, so I start weaving. Things move along smoothly, although slowly. First I use a burnt orange color called Bitter. It plays nicely with the rich, dark brown warp.
handwoven silk scarf, Bitter

Before I go further, I’ll tell you that I tried and tried and tried to get photos with relatively accurate colors. I tried outdoors and indoors, in the morning, midday, and afternoon. I tried in the sun and under cloudy skies, with flash and without flash. Most photos were completely unsuccessful. The shot at the top of this post is the most accurate for color.

Ok, for the next scarf I use a very pale yellow called Chablis. Interestingly, with the rich, dark brown warp it looks more silver than gold. Hunh.

handwoven silk scarf, chablis

I wasn’t as happy as I might have been with the color play in that first scarf, so instead of going forward with my original plan to weave the third with a soft, sagey green, I went back to that Bitter orange weft.

I got the scarves off the loom and spent a LONG time twisting that really fine fringe. I couldn’t use my handy dandy fringe twister – even with 10 threads in a bundle, the silk was too fine to stay in the teeth of that twister, so I had to do it all with my fingers.

Meanwhile I was still anxiously awaiting how stable this fabric will be. After weaving some inches I wished I’d chosen a different threading pattern so that I didn’t have an advancing twill. (I played with alternate treadlings on my computer but didn’t like any of them.) Advancing twills usually need to be sett closer than other twills. But I didn’t want to re-thread the reed even closer than 60 ends per inch, so continued and hoped the final fabric would work out well.

Finally got the fringe twisting done and got the scarves wet finished. They’re nice and stable – YAY!
2 handwoven silk scarves

That’s all good news. Now for the not-so-good news.

As a result of taking so long with these scarves, I lost ground again in building my weaving stock. At the end of March I was a whopping 24 scarves/shawls behind. I worked like a mad woman in April, closing out the month only 6 scarves/shawls behind. Now, at the end of May I’m up to 11 behind. Show season is approaching rapidly. I’ve got to get back to cranking.

Just to make sure life never gets boring, and that I don’t get much money in my bank account, it seems my MacBook will need to be replaced in the foreseeable future. If I open the lid too far – past 90 degrees, the screen goes completely black and won’t come back till I close the lid most of the way. According to my friend the Mac guru, the problem is caused by a solder connection coming loose and is basically not fixable. Poop.

That’s how life is – one step forward, two steps back.

Gonna go get a warp of 3 shawls on the loom now, ‘cuz I’m really down on them in my stock.

Handwoven Color Blending

I’m really happy with my last batch of 4 scarves. I tried some more color blending, and it worked perfectly. Four colors of tencel for the warp – royal purple, lavender, cornflower, & seafoam. Another four colors for weft, one per scarf. The draft was an extended Ms & Ws.

First I used a navy blue weft with extended Ms & Ws treadling.
handwoven color blending scarf, navy

I liked the color blending, but wasn’t sure about that extended treadling pattern, so I modified it for the second scarf, which I wove with a red-purple weft.
handwoven red-purple color blending scarf

I wasn’t crazy about the clear squareness of the treadling pattern, so decided I’d go with just a straight treadling for the next scarf, which I wove with a hunter weft.
handwoven hunter color blending scarf

I really liked both the dark green weft and the simplicity of the treadling. So I stuck with the treadling for the 4th scarf and picked a brilliant blue for the weft.
handwoven brilliant blue color blending scarf

Very bright, but still fetching, to my eye.

Here are the four of them draped on the loom immediately after weaving and then folded, after wet finishing.
handwoven color blending scarves, hanging

folded handwoven color blending scarves

I’m very glad I made the warp long enough for four of these scarves and hope my future color blending works as well as this warp. I must say I am enjoying this color exploration and will continue to do it, which means I will probably have some attempts that are less lovely as I experiment with different colors.

Happy Grandma

Last week I went to Rochester to spend time at the Lilac Festival with my daughter and grandson. They have more than 200 varieties of lilacs in the park as well as plenty of other trees, shrubs, & plants to admire.

After enjoying the park we went back to their house for lunch and fun. I was surprised to get two Mother’s Day presents, made just for me by the little one.

Some weeks earlier they’d gone to a place where you could paint your own pottery. This is a swell mug I got.

mug painted by toddler

In addition to being colorful, it’s huge, so I can enjoy a really large cup of tea. I was happy. And even more surprised that there was another gift, too – a painting, complete with frame.

toddler painting

I think the color play is just lovely, and the whole thing is cheerful.

How lucky am I?!

Thanks, Rusty!

Sunset Shawls

Like most people (I think), I get my creative inspiration from a variety of places – from seeing what other weavers have made, from books, from looking at my stash, from seeing the world around me. The first and last in that list are what led to me weaving two shawls.

These shawls are quite different for me in two important ways: color and fiber content. The color is most significant. I am very used to working with hand painted fibers to create color interest. I’m very comfortable working with solid colors and using weaving pattern to create the interest. I’m gaining comfort with using stripes of different solid colors in a variety of ways to infuse a different appeal.

In these shawls, however, I used many different colors – I think 10 – in semi-random stripes in an attempt to create the impression I want. I wanted to bring a summer sunset to mind, with all the colors it can include, from orange to pink to blue to green to purple to red and an amazing blending at the intersections of them. I think I was pretty successful for my first attempt.
sunset shawl on the loom

For the fiber, I used 5/2 cotton for the warp & rayon for the weft – I don’t remember ever mixing these fibers like this before. I was a bit concerned that the fibers wouldn’t play nicely together, that they’d cause unpleasant differential shrinkage or crinkling. I tried it because I knew I wanted to soften the cotton, provide more drape than a cotton this heavy could provide. I also set the threads relatively far apart – at 15 ends per inch – and threaded for a huck lace. I treadled only half of the typical huck pattern – I call it huckish. For all you weavers, here’s part of my draft – repeat as needed for width.
huckish weaving draft

So here’s the first shawl, woven with an orange weft.
handwoven orange sunset shawl 1

It’s my fav, for sure. Doesn’t it look nice on Dolly with all that lovely spring green in the background?
handwoven orange sunset shawl 2

For the second shawl I used a spice weft. It’s much darker – probably 20 minutes later into that sunset.
handwoven spice sunset shawl

At the show I was twisting fringe and got a lot of positive comments. I think they’ll be attractive to my customers at my next show. Of course, I never really know. I just have to weave things that make me happy, that I like, and trust to the process.