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Getting Ready for Baby…

…Baby wraps, that is.

I mentioned that my insert eye heddles arrived. In a big bundle of 200.
heddles arrived

For non-weavers, each thread in a warp goes through the eye of a heddle. That heddle is on a harness, which is what gets raised or lowered to make a weaving pattern. Here’s a closeup of those insert eye heddles.

insert eye heddles

To prepare for weaving the baby wraps, first I had to remove a cotton warp that was on the loom. I had warped it back in early August for something I had in my mind. I wove one of the planned three pieces and realized that my idea was not going to work. The doubleweave itself was fine, but the finished product had only the most vague comparison to my ideal. I thought and thought, tried a variety of modifications to it, and decided it was simply a no go. I thought about what else I might be able to make from the warp that I’d taken the time to measure and thread – almost 800 ends – but I couldn’t find a use. So just take it off and toss the cotton away. Sigh.

old warp to come off the loom

Next I had to count the heddles on each of my 8 harnesses on my Macomber loom, compare the numbers I had on each harness to the number I needed on each, move heddles from over-loaded harnesses to harnesses that needed them, and then add more from the batch of new heddles. I spent about an hour and a half doing that. I still need to divide the number on each harness in half, since my harnesses have a center support. Fortunately the heddles can be moved during the threading process if needed.

Now to actually measuring out the first warp, which will make two wraps. A friend from my local guild, the Southern Tier Fiber Arts Guild, gave me an old, handmade warping mill that was in her attic, unused for years. Actually, she’d lent it to me a few years ago to try out. I returned it to her, and it returned to her attic. She was glad to move it out to someone who had a need. Thanks, Carlyn!

old warping mill

The mill’s not perfect, but it should make the measuring process go much quicker than it would on my warping board. With the mill, you start by measuring out a string that’s the length of your desired warp and wrap it around as a guide string. You can see mine on here. Then you follow that guide string with your warp, making as many bouts (groups of threads) as are reasonable and appropriate. With 940 ends, I’m thinking I’ll have 4-5 bouts in this warp. That would make each bout 188-235 threads, which may be too much; I may have to make 6 bouts of 156 threads. Time will tell.

So what would make the mill better? I’d like it to be an even 2 yards around (it’s an unusual 2.75 yards), to be 4′ high (it’s just 2′ high), and to have a brake on it (that helps when you’re taking the warp off the mill to carry it to the loom). It should have some adjustable pieces to make the ‘cross’ (see those 3 dowels? That is where you make the cross.) and allow you to end your warp wherever suits your length. On the plus side, I like the floor stand and the fact that the top part easily folds down flat to take up little space when it’s not in use. So I’m trying to get someone to make me a new ‘top’ for this mill. I don’t have any takers just yet, but I’ve only started looking.

Anyway, I’m planning to measure the first warp today. That’s likely as far as I’ll get, since I won’t be home on Saturday or Sunday, but I can’t wait to see how lovely the colors will look. I think Meghan will like to see the colors she picked, too!

Handwoven Baby Wraps

In early September I got an email from a woman who’d seen my website and wanted to know if I’d weave her a custom baby wrap. I’m happy to do so, so we exchanged lots of emails to decide on pattern (hearts), color, size, and price by late in the month.

While this exchange was going on I got an email from a second woman. She and her friend wanted custom baby wraps, too, again in a hearts pattern.

Again we agreed on colors, so I combined the two requests and placed an order with The Woolery for Maurice Brassard’s 8/2 mercerized cotton. The box arrived – 32 cones of cotton and 3 cones of linen. Isn’t it pretty?!

cotton for baby wraps

In my initial planning I estimated for 21 ends per inch (EPI). The more I read and thought about it, the more I realized that is would not produce a strong enough cloth. Especially since the new issue of Handwoven arrived, with instructions for a baby wrap in rosepath, woven at 30 EPI. Thankfully, I have enough yarn of each color to do this, although it ups the number of threads from 675 to 940. Lots of warp measuring, lots of heddle and reed threading.

Oh, yeah, I had to order more heddles for my Macomber. I only have 800 heddles on this loom, so the change in EPI meant I needed an additional 140 heddles. I got an unhappy surprise when I learned that it’s pretty impossible to get flat steel heddles these days. I ordered insert eye heddles. I hope I like them okay.

Now I’m going to order a warping mill – it should make the measuring of all those threads go much quicker than my warping board.

My first warp will be for two wraps, one for the customer order and one for sampling. I need to weave an entire wrap, cut it off the loom, and wet finish it to determine strength, flexibility, and shrinkage. Only then will I know if 30 EPI is correct. I’m hoping I can go down to 28 EPI for future wraps, saving myself about 40 ends of measuring and threading. But if I can’t, I can’t — it’s only 40 threads, after all. I’d WAY prefer a high quality product than to save a few minutes here and there.

Since I ordered this yarn, I’ve had two more inquiries for baby wraps. Guess I know what I’ll be weaving for a while!

Handwoven Towels

Some months ago I wove a whole bunch of placemats and a few table runners. They have generated approximately zero interest.

On the other hand, my handwoven towels have sold – not like gangbusters, but enough to make me want to weave more. The classic blue & white towels have been the most popular. I’d ordered a great red when I last winter and it took months for it to come in – guess it’s a really popular color. Since Christmas is coming I decided it was time to weave up some red & white towels.

I put on a warp for eight towels. I wove four in stripes…
handwoven red striped towel

…and four in plaid.

handwoven red plaid towel

I use Halcyon yarn‘s unmercerized 8/2 cotton for my towels and sett them at 18EPI. I know this is looser than some other weavers use, but I like them this weight. I’ve had some of my customers tell me that they are thirstier than other handwoven towels, and I think it’s because they’re are a bit looser – more surface area to soak up water.

While I hand hem my scarves and shawls I machine hem the towels, after they’re wet finished, using the magic walking foot. What a terrific attachment for a sewing machine. I hope whoever invented it made a mint – it’s beautifully simple and remarkably effective.

If these sell, I’ll weave more towels. I may even if they don’t – they make great gifts.

More of this and more of that

I’m still weaving with rayon chenille. I love it for the wintertime, and so do my customers. Since all the rest of my shows will be in the cool or cold weather, I thought I really needed to beef up my stock in this area.

I used Tammy’s gorgeous Ocean Waves to weave three scarves. This colorway is always popular, regardless of the fiber.
handwoven rayon chenille scarves, ocean waves

Then I wove the scarves that my maple tree inspired. On the left is a butterscotch weft and on the right a brown weft.

handwoven rayon chenille scarves, cappucino

Next I really wanted to try another clasped weft that would show off the technique. I googled the term to see what I could see from other weavers that might inspire me. I’m definitely going to do my own take on some of the other things I saw, but this warp of two scarves was a direct take-off of work done over at Dust Bunnies.

I like this one — it’s black rayon chenille with the leftovers of one of Tammy’s balls of handpainted yarn – Dreamcatcher.

handwoven scarf with clasped weft, dreamcatcher

I like it just fine. But I LOVE the second one. Again with the end of a ball of Tammy’s yarn, this time in Seaweed.

handwoven scarf with clasped weft, seaweed

THESE are the effects I wanted! I will DEFINITELY be doing more clasped weft, both in rayon chenille and in other fibers.

All that being said, I’ll be interested to see my customers’ reactions at next weekend’s show — often what I love isn’t the biggest hit with shoppers.

Rayon Chenille Scarves and Shawls

Although I haven’t been blogging, I have been weaving. Here’s a sampling of what I’ve been up to.

First I used another of Tammy’s hand painted yarns, this time in a colorway she calls Grape Ape.

handwoven rayon chenille scarves, Grape Ape

The scarf on the left has the same hand painted weft, in the middle is a solid pink weft, and on the right is a purple passion weft. Guess which one I like best? (Hint, I like saturated colors.)

Then I really wanted to try some more clasped weft. I picked some blue and some green rayon chenille, warped the loom, and went to town. It didn’t take long to realize that I’d chosen colors that are too similar to have the kind of drama I was looking for. Can you even see it?
handwoven scarves, blue & green clasped weft

I often like subtlety, but here? Too subtle. My work doesn’t show unless you really look.

So I did one with a solid blue weft and one with solid green.
handwoven rayon chenille scarves, blue & green

I think the difference between the colors of weft are much easier to see here. So now that you know what you’re looking for, can you see the difference when the three are next to each other?

3 handwoven rayon chenille scarves in blue & green

Still pretty darn subtle – not worth the extra time & energy. Better luck next time on that.

So I went back to something I know looks great, something I know my customers love – rainbow shawls. I haven’t had any all year, so figured it was time.

handwoven shawls, rayon chenille rainbows

It takes about forever to measure and beam the warp, but once it’s on the loom the weaving goes relatively quickly.

I’m feeling pretty good about my fall shows. A few more things on the loom – or almost – and I’ll be as ready as I can be.