Stripes & Blocks

I decided to weave another tencel 3/1 vs. 1/3 twill, this time with a striped warp. I intended to use 5 different colors in the warp, but when I was measuring it on the warping board I didn’t like it, so changed to just 3 colors.

Here it is on the loom with a medium blue weft, from the top, with the blue blocks showing…
stripes & blocks on loom from the top

…and from the bottom with the colored blocks showing.
stripes & blocks on the loom, from the bottom

Here you can see both sides after wet finishing.
stripes with blue blocks

stripes & blocks with blue weft

I used a navy weft for the second scarf.
stripes & blocks, navy

I decided that was way too dark and needed something much lighter. I tried out a few things that didn’t work with each of the warp colors, then went with pink.

Once again, on the loom this was my favorite; off the loom my least favorite.

stripes & blocks with pink

In addition to changing the weft color I changed the treadling pattern, which was fine. What wasn’t fine was that I had also decided that the first two scarves would be too loosely woven and I needed to pack the weft more tightly. That was a mistake. Not only do the first two scarves have a nicer hand, the packing made my selvedges ugly – although I wasn’t aware of that as I was weaving.

stripes & blocks pink bad selvedges

I compounded my errors by weaving two of those scarves with pink wefts.

Isn’t it weird that now I have two warps in a row that what I liked on the loom and off the loom are direct opposites? I have no answer to that.

Advancing Squares

I know I’m short of my stock of shawls so went for a warp of 3 rayon in a pattern I haven’t used before. I’m not positive I’ll use this pattern again, either. We’ll see how it goes. The pattern is an 8harness advancing squares pattern, so I wove it on my Mac. We’re friends now.

Here’s a shot of the first one I wove on my drying rack. It’s a seafoam green weft on a navy warp. This photo doesn’t show the shawl to its best advantage, nor does it show the color accurately, but does give you the best understanding of the weaving pattern.
handwoven shawl, seafoam stairstop

Interestingly, while I was weaving I wasn’t happy with my choice of weft color, but didn’t make that decision till I was well into it. Decided to go ahead and make a better choice with the second shawl…which I wove with a baby blue weft. This shot doesn’t show the pattern as clearly, but gives you a better idea of how soft and drape-y the cloth is.

handwoven shawl, blue stairstep

For the third scarf I used a red-purple weft. This shot lets you see the lightness of the shawl – you can see some of the white sheet through it.
handwoven shawl, red-purple stairstep

On the loom this was absolutely my favorite. Off the loom it is absolutely my least favorite. Weird, huh? I’m not sure if I prefer the seafoam weft or the baby blue one, but it’s sure not this one.

As I was pressing these shawls I found several weaving errors on that baby blue one that required quite a bit of time needle-weaving to correct. It’s still not perfect, but the best I could do.

Fancy Feet

I often wear Crocs around the house – their classic, cloggy-looking style. As I was placing an order for a new pair my eyes were caught by their new huarache style and I decided I needed a pair of these, too.
crocs huarache

Aren’t they cute?

I wore them one day & realized it’s been a long time since I wore open-toed shoes. They didn’t look good without painted toenails. So for the first time in well over a decade I painted my toes. (In fact, the only reason I had nail polish in my cupboard was because I bought a few colors to paint the bottom harness bars on my Mac to give me a visual aid in threading.)

While I have less than lovely feet, I think they’re okay in these sandals.

sandal with painted toenails

Now when I glance down at my feet while I’m weaving, I’m surprised every time by the fancy feet that are dancing across the treadles.

On a completely unrelated note, I just watched and AMAZING video of Janet Echelman. I don’t remember where I read about this – was it on a blog I read? In a magazine? If I could remember I’d happily give credit where credit is due. Anyway, Janet’s building-sized fiber sculptures blew me away with their beauty and creativity. Check it out!

Everything’s Fine….or not

2 handwoven silk scarves on rack
Let’s start with the good news. I ordered and received some really lovely 60/2 silk. Like wire (I learned this when I was making jewelry), the higher the number the thinner the thread, so 60/2 is really fine. For comparison purposes, most of the rayon that I work with is 8/2 and has about 3,300 yards of thread/yarn per pound. The 60/2 silk has just under 14,000 yards of thread per pound. That’s not a typo. 14,000.

That meant that in order to make a stable fabric, instead of my usual 160-200 threads for a scarf, I had to use 520 threads. I sett the thread at 60 ends per inch, unlike the 18-21 I usually use.

You’re getting the idea about how thin this is, right? And how much more time it takes to wind the warp, thread the loom, and weave?

Then, when I went to weave, I had to take three times longer than usual to weave a bobbin. That’s because my weft thread was finer still, with at least 18,000 yards per pound. I had to wind thread from my cone onto bobbin 1. Then wind from the cone onto bobbin 2. Then put those two bobbins into shuttles and wind two strands at once onto bobbin 3. Trial & error – unfortunately – showed me that if I wound my final bobbin with 1 strand from the cone and 1 strand from a bobbin, the tension between those two threads was different enough that it make for sloppy selvedges when weaving. By having two bobbins – each wound with the same tension and each in a boat shuttle to maintain the same tension – to wind the third/final bobbin was definitely the way to go. (I was using the tram silk I bought at MAFA 2 years ago as weft. You may recall my earlier attempt at using it. I also attempted to get a local spinner to spin 2 strands into 1 thicker strand – no go.)

Ok, so I start weaving. Things move along smoothly, although slowly. First I use a burnt orange color called Bitter. It plays nicely with the rich, dark brown warp.
handwoven silk scarf, Bitter

Before I go further, I’ll tell you that I tried and tried and tried to get photos with relatively accurate colors. I tried outdoors and indoors, in the morning, midday, and afternoon. I tried in the sun and under cloudy skies, with flash and without flash. Most photos were completely unsuccessful. The shot at the top of this post is the most accurate for color.

Ok, for the next scarf I use a very pale yellow called Chablis. Interestingly, with the rich, dark brown warp it looks more silver than gold. Hunh.

handwoven silk scarf, chablis

I wasn’t as happy as I might have been with the color play in that first scarf, so instead of going forward with my original plan to weave the third with a soft, sagey green, I went back to that Bitter orange weft.

I got the scarves off the loom and spent a LONG time twisting that really fine fringe. I couldn’t use my handy dandy fringe twister – even with 10 threads in a bundle, the silk was too fine to stay in the teeth of that twister, so I had to do it all with my fingers.

Meanwhile I was still anxiously awaiting how stable this fabric will be. After weaving some inches I wished I’d chosen a different threading pattern so that I didn’t have an advancing twill. (I played with alternate treadlings on my computer but didn’t like any of them.) Advancing twills usually need to be sett closer than other twills. But I didn’t want to re-thread the reed even closer than 60 ends per inch, so continued and hoped the final fabric would work out well.

Finally got the fringe twisting done and got the scarves wet finished. They’re nice and stable – YAY!
2 handwoven silk scarves

That’s all good news. Now for the not-so-good news.

As a result of taking so long with these scarves, I lost ground again in building my weaving stock. At the end of March I was a whopping 24 scarves/shawls behind. I worked like a mad woman in April, closing out the month only 6 scarves/shawls behind. Now, at the end of May I’m up to 11 behind. Show season is approaching rapidly. I’ve got to get back to cranking.

Just to make sure life never gets boring, and that I don’t get much money in my bank account, it seems my MacBook will need to be replaced in the foreseeable future. If I open the lid too far – past 90 degrees, the screen goes completely black and won’t come back till I close the lid most of the way. According to my friend the Mac guru, the problem is caused by a solder connection coming loose and is basically not fixable. Poop.

That’s how life is – one step forward, two steps back.

Gonna go get a warp of 3 shawls on the loom now, ‘cuz I’m really down on them in my stock.

Handwoven Color Blending

I’m really happy with my last batch of 4 scarves. I tried some more color blending, and it worked perfectly. Four colors of tencel for the warp – royal purple, lavender, cornflower, & seafoam. Another four colors for weft, one per scarf. The draft was an extended Ms & Ws.

First I used a navy blue weft with extended Ms & Ws treadling.
handwoven color blending scarf, navy

I liked the color blending, but wasn’t sure about that extended treadling pattern, so I modified it for the second scarf, which I wove with a red-purple weft.
handwoven red-purple color blending scarf

I wasn’t crazy about the clear squareness of the treadling pattern, so decided I’d go with just a straight treadling for the next scarf, which I wove with a hunter weft.
handwoven hunter color blending scarf

I really liked both the dark green weft and the simplicity of the treadling. So I stuck with the treadling for the 4th scarf and picked a brilliant blue for the weft.
handwoven brilliant blue color blending scarf

Very bright, but still fetching, to my eye.

Here are the four of them draped on the loom immediately after weaving and then folded, after wet finishing.
handwoven color blending scarves, hanging

folded handwoven color blending scarves

I’m very glad I made the warp long enough for four of these scarves and hope my future color blending works as well as this warp. I must say I am enjoying this color exploration and will continue to do it, which means I will probably have some attempts that are less lovely as I experiment with different colors.