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Lather. Rinse. Repeat.

That’s what my weaving life has been like today.

Weave.  Unweave.  Repeat.

Last evening I wove about 4″ of the watery silk warp with the green weft. Then I remembered that I already have an undulating twill silk scarf with this green weft. Plus the beginning selvedges were nasty. Plus 3 of my trusted commenters liked another weft. So unweave all that.

green watery weft

I started again with the silvery blue weft. Much nicer. Got 4-5″ woven and thought, since it was to have some vague representation of water, I’d try randomly varying the treadling, giving the whole thing some movement like water in a creek. Wove another 3+” and decided I hated that, so unweave.

Then I had to take a lay-down break. Some time yesterday I somehow pinched a nerve in my upper back. I’d taken some ibuprophen a few times, and it just needed to rest and be iced. So I did that.

Still, I got a little over half of the first scarf woven today. I am LOVING it!

silvery blue watery weft

Joelle asked for the weaving draft, so here it is for all.
undulating twill draft

Auditioning watery wefts

trying out various wefts

The watery hand painted silk is on the loom, and I’m trying out various wefts. The warp is 30/2 silk, with roughly 7,440 yards per pound (ypp). As a general rule I like my weft threads to be similarly sized to the warp. I don’t have much (any?) colored 30/2 silk, so I tried a number of options.

From the bottom:

  • A rough tussah silk singles yarn in pale green with lots of nubblies, at 7,425 ypp .  You probably can’t see anything but the nubs.  I’ve had this yarn for almost 4 years now and have yet to find the right place for this yarn…this isn’t it.
  • Next up is a silk frise in navy.  7,425 ypp, but again, not the right place for it.
  • 3rd trial is a silk-linen blend, in medium blue, but only 2,400 ypp.  The color is ok, but I don’t like the size and the linen in it.
  • 4th is  30/2 silk, at 4,900 ypp, in an interesting olive-y celery-ish green.  I like it.
  • 5th is  30/2 silk in a silvery-blue.  A beautiful yarn, but too pale, I think.
  • 6th is 30/2 silk in darker blue.  This might be nice.  Or it might be too dark.

Note that none of those wefts is packed/beat correctly.  It’s hard to do that when there’s nothing solid to weave against.  And I will fix the oddness on the left selvedge before I start weaving.

I’m going to stop auditioning here and weave the first scarf with the green.  Once I see a bunch of it I’ll have a better idea how to silvery-blue and the darker blue might look, and if I need to try out other options.

We’re off!

P.S.  If you’re a night owl, be sure to check out the sky tonight – the peak of the Perseids meteor shower.

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On beauty….and not

rain on melon leaves

We have been dry, dry, DRY this summer. Add a winter with less-than-average snowfall, and you have a not pretty picture. So when we do get a bit of rain, the beauty is doubly appreciated. My melons are growing, and I’m hoping their taste is as thrilling to me as just watching them grow is.

melon growing

I planted a bunch of kale in the spring, and am pleased that it’s still going strong, despite our hot and dry conditions. When I pick it and bring it in the house to soak in a sink full of cold water, it is totally stunning. A photograph can’t capture it.

kale in water

The kale leaves don’t allow the water to grab on to them at all. As they repel it, the surface tension turns the area a bright silver, like liquid mercury. (Not only do I remember mercury thermometers, and recall playing with mercury in science class, something that would never happen today.)

And look….my first pepper is starting to turn red.

1st pepper turning red

So is my first full-sized tomato.

1st tomato turning red

The local fauna has miraculously ignored my garden patch. No idea why, but I’m thankful.

The less-than-beautiful is a new batch of handwoven scarves. First up is a scarf I wove on my rigid heddle to demo at a show. It’s a rayon warp with rayon chenille weft. Thought I’d give the combo a try.

rayon and rayon chenille scarf

Once is definitely enough. The chenille is so understated it’s hardly worth it. Plus I didn’t have enough warp left on the loom so the scarf is short. I may be willing to use it as a donation, but I won’t sell it.

Next on the rigid heddle I wove a scarf from that thick and soft Pima cotton, this time sett at only 12 ends per inch, and with hand manipulated leno lace blocks for accent.

Pima cotton scarf with leno lace

My plan was to do some more ombre dyeing with this scarf, this time with the chemical dyes and hand painting as opposed to Rit dye and dipping. But I like this scarf so well as it is that I’m not going to dye it at all. Since I have few neutrals in my stock, I think that’s the best course to take. I may put some beads on the fringe, which I’m not going to twist, to add some interest. Or I may not.

Now for some more learning by doing. In my first dye class I dyed some 8/2 rayon that’s been sitting and waiting for me. While I was waiting for my first home-dyed yarn to dry, I thought I’d weave off this rayon. The good news is that I learned a ton in those two classes and made some mistakes I’m not likely to repeat.

So here’s the first scarf on that warp. The best of the three, for sure. Since my hand painted warp didn’t have many threads in it, I fleshed out the warp with some pink and navy rayon. At least this scarf has three color transitions and no huge, glaring goofs.

HP-rayon-pinks-greens

I threaded and treadled for rosepath, which was fine, but I didn’t want to keep going with it. So I re-threaded the loom for an all-over huck lace pattern. That was fine, but the next scarf only had two colors, not three because I’d painted in sections that were too long. That would have been not good but okay, except that I’d clearly put dyed pink fingers on the yellow section. Sigh.

hand painted rayon scarf 1

Then came the third scarf. Really only one color that just gets glaringly bright. Might appeal to someone, I thought. But can you see the beginnings of transition to yellow on the fringe on the right ends? I could theoretically make the fringe shorter to eliminate that, but I don’t really like shorter fringe, don’t think it looks good. Sigh again.

hand painted rayon scarf 2

Finally, although I haven’t taken a photo, I’ll share that I have gotten back to the pants failure. I spent 3 hours taking out machine stitching, and didn’t even get all the way around the waistband for the last “stitch in the ditch” sewing. Sigh. I don’t think the side seams or center seam will be as tedious, but taking out those pockets carefully might be. Double sigh.

But now I’m going to reward myself by weaving those undulating twill scarves with the watery-colored silk I recently painted. I have several weft colors to audition.

Bravery

I don’t think of myself as a brave person. I certainly don’t apply the term risk-taker to myself. Yet I am a person who is willing, sometimes eager, to try new things, especially when guided by a knowledgeable, supportive teacher. That’s the case with my recent decision to try dyeing yarn at home.

When I took the first, and even the second, dyeing class at the Weaving & Fiber Arts Center, I told the teacher that I definitely would not be doing this at home. I was so sure that I didn’t keep her wonderful handouts from the first class, or even take a copy home with me from the second.

Hah! When I couldn’t fit her next 2 classes into my schedule, I ordered the necessary supplies, asked her for a copy of the handouts, and set out on my merry way, albeit with a bit of anxiety about screwing up.

The first step in dyeing a warp is to measure out the yarn you’ll be using, in the number of threads needed. Here I’m going directly from a skein of silk to my warping mill.

going from swift to mill with silk yarn

When I took the classes I simply guesstimated how many threads I’d need for some weave pattern that I’d later determine. This time I decided to figure out what pattern I wanted to weave first, then dye in colors that made sense for that pattern. Time will tell if that serves me well.

First I wanted to weave an undulating twill that looked very watery, so I painted my silk warp in blues and greens.

silk dyed for an undulating twill

Then I wanted to weave a modified snowflake pattern, and thought lavenders and blues would work well for that. Interestingly, when I mixed up the lavenders the color that I got on a white paper towel was most definitely not what I saw when I painted it on the yarn. Both the light and dark lavender started out as grey, and I was disheartened. After a bit of exposure (to air? to the soda ash activator? to the silk yarn?) the colors turned the purples that I was looking for.

silk dyed for snowflakes

For the third warp I decided to try overdyeing some very yellow rayon I had.

yellow rayon to overdye

Since I was starting with such a dark yellow, I had to take that into consideration in the dye colors I chose. No pastels here, I figured. What I ended up with looks like a Mexican fiesta to me.

handpainted rayon fiesta

Anyway, when you do hand painting — and perhaps other types of chemical dyeing, too — it’s a long process. I worked non-stop on Saturday for 4.5 hours from getting out the supplies to cleaning up. And this was, of course, after I had done the planning and wound the warps.

Humorously, I wound warps the same length as those 3 warps of rayon chenille I wound for those six recent shawls. I didn’t stop to think that each warp was long enough for only 2 shawls, not the 3 that I usually do a warp, so each of my new warps is only long enough for 2 scarves. Maybe that’s all for the best. Had I wound each long enough for 3 pieces, it would have taken me much longer both to wind the warps and to paint them. My back had had enough on painting day, so I’m glad they weren’t each 1/3 longer. (Note to self: if I want to do longer warps in the future, I need to either raise the work table somehow or do fewer warps in a day.)

So after the painting was done I had to wrap up each warp individually and steam it to set the dyes. Then I had to let those steamed warps sit overnight to ‘batch.’ That brings us to mid-day on Sunday. That’s when I unwrapped and did a preliminary rinse on each warp, followed by an overnight soak to get all the dye possible into the yarn and minimize the rinsing time, energy, and water needed.

Finally on Monday morning I could rinse out the yarn and see if I had followed the steps correctly so my warps would hold the color. Whew! I had! I set them outside on my drying rack to enjoy the breeze and dry, without dripping color on my floor or my bathtub. Here they are mostly dry.

almost dry yarns dyed at home

That Mexican fiesta yarn is something else, isn’t it? If it were cotton I’d make towels out of it. Since it’s rayon I’m not sure what I’ll do. It needs to grow on my a bit, I think.

I am a little disappointed, or maybe just surprised, at the colors in the middle warp, the one I planned for the snowflake weave pattern. The purples turned a most definite red-violet, much more red than I had in mind, or than what I saw when it was wet. I’ll probably still do the snowflakes with it…or maybe not. 😉

I love the blues & greens for the watery weave, and hope that I can make my vision come to life with the correct wefts. I wonder if I should custom dye them……

4 more shawls

Picture the golden glow of an Autumn evening, balanced by the colors of turning oaks, maples, and birches. Add the sheen and drape of rayon chenille, a luxurious 24″ wide and 72″ long, and here’s what you have.

rayon chenille earth tones shawl, light

Above is the shawl with a light weft, the same golden color as is on the left side of the warp. I wove the second shawl with a dark brick weft, the same as is on the right side of the warp.

rayon chenille shawl, earth tones, dark

The difference between the two is striking when you see them together.

rayon chenille earth tones shawl comparison

As soon as I had these two shawls off the loom I immediately warped it up for two rainbow shawls, again in rayon chenille.

rayon chenille rainbow shawl

I am officially done with rayon chenille shawls, at least for now. I am going to weave some rayon chenille scarves. I kind of have to. In my quest to use up my stash, I am pressured by eight bins full of cones of rayon chenille. Eight. Full. It’s going to take me quite a while to use up all that. I have four bins of cotton and three bins of silk. My rayons are on shelves in my barrister’s bookcase, but if they were in bins I’d guess they’d be another three or four bins. And those are the cones. I have five bins of balled yarns in a variety of fibers, mostly yarns that were hand painted in skeins by another fiber artist. And then there’s a few miscellaneous bins, like one of mohair, one of cotton chenille, and one of assorted wools. Have you done the math? That’s 25 bins of yarn.

I’ve got my work cut out for me.